Work has been taking up a little more of my time than I had anticipated hoped and so there has been less progress on George’s vest. It is after all the end of the fiscal year and all that end-of-year accounting must be done. Even though I pretty much have everything caught up during the year and there should not be that much extra work, it always takes a little longer than I expect. Of course the fact that October always seems to be a very busy month anyway does not lessen the load.
Of course the other impediment to my sewing progress has been that I have been caught up in a fit of clearing up and cleaning out. There have been too many unfinished projects, both in the house (some of them due to contractors over whom I have no control), yard, and my fiber-related life. Since I have no control over those projects that are waiting on others I have been doubly determined to reduce my own backlog. Projects that are planned but not yet started don’t count; they remain in the realm of dreams rather than reality. This is a trivial (as some of these are quite necessary) distinction but a necessary one. It’s all a question of semantics after all.
I have started cleaning out closets, storerooms, the attic, and the basement, bits and pieces at a time. I have also been tackling unfinished knitting projects. There really no sewing UFOs at the moment, and I am reluctant to start a new one until I feel I at least have some control of everything else going on around here. This does not mean I will finish all projects before starting anything new. Even a little progress has helped considerably and everything feels much more manageable to me. There is also a partly done quilt and a couple of embroidery projects that will remain UFOs for now; one of the embroidery projects will also eventually become a sewing project. I don’t have the incentive or peace of mind to start major embroidery projects at this time.
The other delay in cutting is that I had forgotten that the lining fabric was not ready to be cut. I had pre-washed it, but it was waiting to be pressed. Pressing prior to cutting is always a slow meticulous process simply because the fabric is so slippery and it is easy to let it slide off grain. I tend to pin it to the ironing board in small sections, carefully squaring up each section before pressing it with steam and letting it cool and dry. Sometimes I think one of those steam suctioning boards would be nice, but I wonder whether they would work as well.
Truth be told, if I don’t pressure myself into rushing through the pressing stage I rather enjoy it. It can be a great stress reduction exercise as one carefully pins the fabric, presses, and waits. I can let my mind wander freely over future anticipated sewing projects, dream sewing projects (always more numerous than actual sewing projects) and various other things that have been lurking around my brain. It is very refreshing and dare I say it, zen-like, in the best of circumstances. Of course if one is using steam, there is also the facial aspect, another boon.
I also washed and pressed a piece of black douppioni from Thai Silks.. I haven’t always washed douppioni, don’t often in fact, and I had forgotten how nice the hand of the fabric becomes after washng. Of course this will vary considerably with the quality and weight of the particular piece of douppioni. I might even like this washed fabric better than the original although I will not be sure until after I have worked with it a little more. I have quite a few yards. I was thinking of using a small bit of it as binding on some gray linen napkins, not a definite decision yet, but a strong possibility, and the douppioni would have to be washable for that use. I was also thinking about using the fabric for a blouse, possibly one of LaFred’s blouses or I have a couple of Neue Mode Patterns that would lend themselves nicely to this idea. I remember meeting Fred Bloebaum once when she was wearing a blouse of washed douppioni with pants of washed silk noil. I had been very impressed with the drape and character of both fabrics in her garments.
I am hoping that the washed douppioni will not have to be underlined which makes it more suitable for a blouse. Crisp douppioni must be underlined in organza or something else to keep from wrinkling all the time which automatically makes it suitable for only more structured and tailored, almost jacket-like tops. I know that there is a lot of information available about this but I need to play with it myself and form my own opinions about how much I like this fabric, and for what uses.